A perennial problem with material culture studies is the temptation to collect what you work on. This is all the worse with repair as broken things are generally quite cheap. My mother’s partner Patrick Jewell is a dealer, so I’ve always regularly checked charity shops and market stalls as a matter of routine. I have accumulated have a small collection of repaired ceramics, pictured below.
Lotus bowl with kintsugi repair, seventeenth century.French faiance charger with rivets.
Twentieth-century persian dish.Cries of London plate with rivets, 1920s.